Dating american fender strat
While some were sold as a "Plus" they were sort of a hybrid have Fender's new Noiseless pickups, yet retaining the locking tuners, roller nut and American bridge.
Other things to look for include chasses placed in cabinets from a different year, “doctored” tube charts, non-original control plates (usually reproductions) on silverface amps, original transformer bell ends (they have correct date codes, of course) on non-original transformers, and non-original knobs (either repro or silverface knobs on blackface amps).unusual things can be found such as the empty “Pulse Adjust” hole on the rear of early ’60 brown amps, the “middle” volume control, use of tweed style grill cloth, strange non-documented transitional circuits, and changes in tolex color including the super-rare cream colored “brown” tolex that is found on some late ’60 amps. Given that people may refer to this information seeking specific production quantities of amps they are curious about, it should be pointed out that the serial numbers apply to chassis types, and not specifically to amplifier models.
Looking at serial numbers next to the ’60 5G5 brown Pro Amp for example, we see numbers ranging from 00001 to 02000, suggesting that there are 2000 of these amplifiers made in ’60.
Serial numbers have been used in various locations on Fender instruments through the years.
They have been placed at the top of the neck plate, on the front of the headstock, on the back of the headstock, and on the back of the neck near where the neck bolts onto the body.
The ’52 Tele is the lone guitar to make the transition from the old series (in fact, it was there from the beginning of Fender’s reissues back in ’82).